robert quackenbush

RQ12 15" x 10"

Weighing in at just under six pounds, this doll by Robert Quackenbush is amazing. The base is steel, and the wings are sculpted copper. Robert made this doll in collaboration with Reilly Hoffman. They chose not to interfere with the integrity of the doll itself, leaving it intact and in full view; what they chose to add are these intricate, bold and gorgeous angel wings.

Robert's website is definitely worth checking out!

In his own words:

“When I was twenty-five, I knew that I was supposed to be a painter. Ultimately, it took me another twenty-five years to get to a point where I had the freedom to pursue this dream on a full-time basis. During the intervening years I spent my available free time in art school. Wherever I lived I found a place to go to school. It started in Philadelphia at the Pennsylvania Academy of Fine Art and it continues to this day. Whenever I had a place to use as a studio, I painted. When I didn’t have space, I painted in my head. In 1996, I was able to free myself to paint on a full-time basis. I got into two group shows in 1997, and since then I have had many one-man shows and participated in numerous group exhibitions.

For almost four years ending in 2002, I participated in the Empire State College (SUNY) Studio Art Program. It was an opportunity to create work in New York City and have it critiqued by renowned artists, museum curators, art historians and art critics. For example, my work received favorable critiques on three occasions from Robert Storr (then curator of painting and sculpture at The Museum of Modern Art).

From 1996-2005, I had an opportunity to study with Alexander Shundi almost every Monday afternoon in his studio in Amenia, New York. Alex taught me how to see, how not to be afraid of my imagination, and, most of all, how to create work that made uncommon sense. I owe Alex a great debt of thanks.

I credit the time I spent at Empire State’s Studio Program, as well as the invaluable opportunity to work with Alex Shundi, as the two most important components to any success I have had as an artist.

In early 2005 I moved from my studio in the South Bronx to my new studio in Leawood, Kansas. Since moving to Kansas, I have had thirteen one-man shows. In 2006 I was invited to join the Hand Print Press, a group of printmakers working out of UMKC. In 2008 I opened a sculpture studio in Bucyrus, Kansas to develop work in stone, wood and metal.


Since moving to Kansas, my work has been added to many private collections, as well as to the corporate art collections of Sprint/Nextel, American Century Investments, Emprise Bank and West Plaza Properties.

For me, each day is full of new ideas and I am blessed with great facilities to explore these ideas.”