From Slate.com:
By his own account, Phil Toledano was leading a charmed
life. But in 2006 his mother suddenly passed away. A few years later his
father, as well as some of his aunts and uncles, did too.
“It was an extinction event in the
Toledano family,” he said. “When it happened, I became apprehensive. What else
did life have in store for me? What other dark terrible turns? I began to worry
about it more and more and I thought, Fuck it, I can just worry about
it, I have to confront this fear, whatever it was. I wanted to
anticipate the worst things that could possibly happen to me.”
Against the advice of his wife,
Carla, who feared working on this project might push an already fragile
Toledano over the edge, he began a photo series—a journey, really—that dove
straight into those fears. A book of these photos, called Maybe, was
released by Dewi Lewis
Publishing this month.
Toledano knew it would be “lunacy” to try to predict the
future, so he turned to science and mysticism: He got a DNA test to find out
what illnesses he was likely to get. He consulted with fortune-tellers,
astrologists, palm readers, and numerologists. He underwent hypnosis and
researched insurance company statistics. All to try to figure out what bad
things might be lurking around the corner to ruin his life.
For Toledano, throwing himself into
work has always been a way to process what was happening in his life. He worked
on a series about caring for his
father, and recently completed a body of work that dealt with
the loss of his
sister when he was 6 years old.
“When I do projects it’s like being
stuck in a gravity whirl of a planet, they just pull me toward them and I just
have to do them,” he said. “I feel I’m lucky enough to be in this position
where I can make art, whether people like it or not is another story. I feel a
certain obligation to do it. This is my job and I have to produce work. In a
way being an artist is kind of like drowning close to the shore, when you’re
making work that’s you waving at the lifeguard saying ‘Here I am I’m dong
something’ and if you don’t, you sink to the bottom and people forget about you
and you disappear.”
While working on “Maybe,” Toledano took acting lessons in
order to become darker versions of himself. The entire process was almost like
producing a film: He scouted locations, cast extras, and hired makeup artists
who spent hours a day doing prosthetic work.
One of the hardest images to make was
one of the first ones, of him as an older man sitting in the park with his
caretaker. “I would take my father to the park, and he would fall asleep and I
would text my friends so I was being my father and that was really hard to do.”
But throughout the work, Toledano
said one of the most fascinating aspects to the series was being able to see
how the world saw him in all of his incarnations.
“We are used to how we’re seen in the
world and so when you suddenly have people look at you differently, it’s an
extraordinary experience when you’re used to being seen in one way for 25 or 30
years; the whole project is not about the final art the photographs, but really
about the performance, the act of doing it.”
Once he was done working on “Maybe,”
Toledano felt a lot lighter and he no longer felt afraid of the things that had
bothered him enough to create work about them. It was a highly reflective time
for him.
“What’s interesting is, as you get older you begin to
consider your future more, when you’re younger you’re oblivious to your future;
when you’re older your future becomes more tangible and fragile, people die you
get married have kids you fall in love with people, and things become more
serious … a lot of my art is I talk about very obvious things.”
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