“Going to church. Playing around
the house. Window shopping. These are the types of everyday, seemingly
innocuous activities that wound up before the lens of iconic civil rights
photographer Gordon Parks. Parks, a self-taught artist, believed in the photographic
medium as a weapon of change, capable of awakening people's hearts and undoing
prejudice.
An exhibition of Parks' rare color
photographs, entitled ‘Gordon Parks: Segregation Story,’ will go on view this
fall at The High Museum of Art in Atlanta. The
photos capture a particularly disturbing moment in American history, captured
via the lives of an African American family, the Thorntons, living under Jim
Crow segregation in 1950s Alabama.
The images, originally titled ‘The
Restraints: Open and Hidden,’ were first taken for a photo essay for Life
Magazine in 1956. The essay chronicles the lesser-seen daily effects of racial
discrimination, revealing how prejudice pervades even the most banal and
personal of daily occurrences. Parks doesn't photograph protests, rallies, acts
of violence or momentous milestones in civil rights history. No, he prefers the
quieter moments in and around the home.
Some photos focus on inequality --
a ‘colored’ line at an ice cream stand or black children window shopping
amongst all white mannequins. Others hint ominously at violence, as one child
plays with a gun and another examines it solemnly. Such images are especially
haunting in retrospect, considering the recent death
toll of American black men in this country, over half a century after these
photographs were taken.
Yet the majority of Parks' photos
focus on the positive over the negative, showing a different breed of civil
rights documentation. Instead of highlighting discrimination here, Parks
emphasizes the similarities that bind all Americans: spending time in the home,
being with family, exploring nature. Parks' images revealed what so many
Americans struggled to understand: the human link that connects us all.
‘More than
anything, the Segregation Series challenged the abiding myth of racism:
that the races are innately unequal, a delusion that allows one group to
declare its superiority over another by capriciously ascribing to it negative
traits, abnormalities or pathologies,’ Maurice Berger wrote in The New York
Times. ‘It is the very fullness, even ordinariness, of the lives of the
Thornton family that most effectively contests these notions of difference,
which had flourished in a popular culture that offered no more than an
incomplete or distorted view of African-American life.’
Parks' photographs pick away at a dark moment in
history in bright colors, spreading knowledge and hope simultaneously with the
click of a camera. Although we wish these photographs depicted a world entirely
different than the one we live in today, recent events
show differently. The deaths of unarmed black men all over America
reveal we may need Parks' visual essay more today than we would have expected,
or hoped.
Now is as good a time as ever to remind each
other that every human life matters.
‘I've been asked if I think there will ever come
a time when all people come together,’ Parks once said. ‘I would like to think
there will. All we can do is hope and dream and work toward that end. And
that's what I've tried to do all my life.’
‘Gordon Parks:
Segregation Story’ will be on view from November 15, 2014 until June 7, 2015 at
The High Museum in Atlanta.
- article by Priscilla Frank for the Huffington Post